In The Zoo

This past Tuesday I got assigned to interview Gorilla Zoe and Yung Joc for this kinda big assignment that I've been alluding to for the past couple weeks. Over the past couple years I've grown to be very familiar with the Block Entertainment camp. And no, not familiar to the point where my journalistic integrity goes flying out the window when I have to write about them (I see you Dre). Sure, I don't like each and every song that they come out with, but being around these cats at least helps me to look at their music with a more open mind.

Anyways, since I was gonna be around them, I figured I'd chronicle some of the day's events. It just so happened to be the same day that Gorilla Zoe's album Welcome to the Zoo came out. I had to review the CD recently and I was impressed. When dude sticks to his script he's on some 'Face shit, for real. I didn't care for some of the formulaic "gangster" or "club" or "ladies" songs he had on the album. Come to find out, he didn't either. But at least they were few and far between and didn't take away from the whole scope of the CD. Check it out if you haven't already. Keep an ear out for the songs "Last Time I Checked," "Battlefield" and "I Know."

Here are some pics I took and wanted to share with you all:

Greg Street, Yung Joc, Zoe and Block at the album signing at FYE at North Dekalb Mall (yeah, I know, wack location...more on that later)


Zoe and producer Chris Flame

Crazy. I used to intern at Hot 107.9 with Chris. I knew he was out in the streets doing his thing and I'd always see him around the area Zoe's studio used to be at, but I never knew that they was working together. We'd say whats up and honk horns when we saw each other but that was about it. It had been a minute since I saw dude and I ran into him on this night outside Block studios, so we was chopping it up. Then someone came up and was like "whats up Flame." I put two and two together and realized I knew the dude everybody been in the street hollering about for the last year or so. I've been name dropping this dude in my articles not even realizing I know dude. I'm slow.

Zoe outside the studio, telling everyone he loves them and to "take yo' ass to the store and buy the CD in the morning."


Youngblood (and Redan Raider) J-Bo and DAMN!, I forgot buddy name.



Baby D, Joc and Diamond of Crime Mob

I don't know what it is, but whenever I'm out and about, every teenage girl I see has Diamond's mixtape blasting out of their earphones. Don't be surprised if ya'll see and hear more of her in the near future. Granted, I don't ride around bumping her stuff, but ya'll know how I feel about female rappers so I can't be mad at what she's doing.

Comedian Nard, Baby D, and AK of the P$C


Early crowd shots of ESSO



If you haven't been inside the new ESSO yet, its kinda like a mini-Club Visions. Except here, the attitudes are much better. Perhaps because its sitting right in the middle of Kirkwood. To me, Visions was hugely responsible for the fake-ass Black Hollywood attitude that's running rampant throughout the city. The only thing the new ESSO is missing that the old ESSO downtown had was the three-floors of music and dancing. The old ESSO had the reggae floor, the east coast Hip Hop/Top 40 floor and the Southern Hip Hop/Crunk doing down on the bottom floor. Its still a cool lil' spot though.







Block Ent. selling CD's at the show

Like I said earlier, for some reason the powers that be decided to have the instore at wack ass North Dekalb Mall which nobody I knows even goes to anymore. Only reason to go to that lame ass mall is to get neckties and furniture for the low low. Knowing that they might have fucked up in doing that, Block Ent. decided to have an unofficial instore in the club and started selling CDs during the show.

Big Duke and 107.9 radio personality Mizz Shyneka

Alot of folks be trying to hate on Duke and just look at him as a faceless member of Boyz N Da Hood. Dude has put his work in. He was one of the first solo cats out of Decatur to get a solo major deal, him and KB who used to be on Rap-A-Lot. He was on Suave House in the late 90's and was featured twice on Ball & G's In My Lifetime album. Then he went on to do some writing for So So Def. Oh yeah, I used to intern at Hot 107.9 (back then 97.5) with Mizz Shyneeka too. Something has got to give...Ludacris, DJ Sense, Flame, Shyneeka...all these interns blowing up, I need to start making beats or something.

Rick Ross came through and performed too






Zoe hopping down in the crowd to shake hands and hug folks after the show

In The Zoo

This past Tuesday I got assigned to interview Gorilla Zoe and Yung Joc for this kinda big assignment that I've been alluding to for the past couple weeks. Over the past couple years I've grown to be very familiar with the Block Entertainment camp. And no, not familiar to the point where my journalistic integrity goes flying out the window when I have to write about them (I see you Dre). Sure, I don't like each and every song that they come out with, but being around these cats at least helps me to look at their music with a more open mind.

Anyways, since I was gonna be around them, I figured I'd chronicle some of the day's events. It just so happened to be the same day that Gorilla Zoe's album Welcome to the Zoo came out. I had to review the CD recently and I was impressed. When dude sticks to his script he's on some 'Face shit, for real. I didn't care for some of the formulaic "gangster" or "club" or "ladies" songs he had on the album. Come to find out, he didn't either. But at least they were few and far between and didn't take away from the whole scope of the CD. Check it out if you haven't already. Keep an ear out for the songs "Last Time I Checked," "Battlefield" and "I Know."

Here are some pics I took and wanted to share with you all:

Greg Street, Yung Joc, Zoe and Block at the album signing at FYE at North Dekalb Mall (yeah, I know, wack location...more on that later)


Zoe and producer Chris Flame

Crazy. I used to intern at Hot 107.9 with Chris. I knew he was out in the streets doing his thing and I'd always see him around the area Zoe's studio used to be at, but I never knew that they was working together. We'd say whats up and honk horns when we saw each other but that was about it. It had been a minute since I saw dude and I ran into him on this night outside Block studios, so we was chopping it up. Then someone came up and was like "whats up Flame." I put two and two together and realized I knew the dude everybody been in the street hollering about for the last year or so. I've been name dropping this dude in my articles not even realizing I know dude. I'm slow.

Zoe outside the studio, telling everyone he loves them and to "take yo' ass to the store and buy the CD in the morning."


Youngblood (and Redan Raider) J-Bo and DAMN!, I forgot buddy name.



Baby D, Joc and Diamond of Crime Mob

I don't know what it is, but whenever I'm out and about, every teenage girl I see has Diamond's mixtape blasting out of their earphones. Don't be surprised if ya'll see and hear more of her in the near future. Granted, I don't ride around bumping her stuff, but ya'll know how I feel about female rappers so I can't be mad at what she's doing.

Comedian Nard, Baby D, and AK of the P$C


Early crowd shots of ESSO



If you haven't been inside the new ESSO yet, its kinda like a mini-Club Visions. Except here, the attitudes are much better. Perhaps because its sitting right in the middle of Kirkwood. To me, Visions was hugely responsible for the fake-ass Black Hollywood attitude that's running rampant throughout the city. The only thing the new ESSO is missing that the old ESSO downtown had was the three-floors of music and dancing. The old ESSO had the reggae floor, the east coast Hip Hop/Top 40 floor and the Southern Hip Hop/Crunk doing down on the bottom floor. Its still a cool lil' spot though.







Block Ent. selling CD's at the show

Like I said earlier, for some reason the powers that be decided to have the instore at wack ass North Dekalb Mall which nobody I knows even goes to anymore. Only reason to go to that lame ass mall is to get neckties and furniture for the low low. Knowing that they might have fucked up in doing that, Block Ent. decided to have an unofficial instore in the club and started selling CDs during the show.

Big Duke and 107.9 radio personality Mizz Shyneka

Alot of folks be trying to hate on Duke and just look at him as a faceless member of Boyz N Da Hood. Dude has put his work in. He was one of the first solo cats out of Decatur to get a solo major deal, him and KB who used to be on Rap-A-Lot. He was on Suave House in the late 90's and was featured twice on Ball & G's In My Lifetime album. Then he went on to do some writing for So So Def. Oh yeah, I used to intern at Hot 107.9 (back then 97.5) with Mizz Shyneeka too. Something has got to give...Ludacris, DJ Sense, Flame, Shyneeka...all these interns blowing up, I need to start making beats or something.

Rick Ross came through and performed too






Zoe hopping down in the crowd to shake hands and hug folks after the show

F*CK MARC ECKO

"Ya album garbage, i bought ya shit man/I listened to it, now its in the trash can."--Young Jeezy

Yeah, I know Marc Ecko ain't a rapper who drops albums, but fugg it, he became a millionaire off of Hip Hop's back, so that quote is still applicable to him. He also made millions of the backs of Black folk, which is probably one of the reasons why I find his latest display of "democracy" so despicable.

Of course, the great thing about living in this country is that we can all express our opinions, sometimes. But sometimes people do too much. Its one thing to show up to Giants game rocking t-shirts with asterisk but its another to throw syringes on the field. Just like its one thing to boo Barry Bonds, but its another to buy a historic piece of memorabilia, only to "democracize" the ball and brand it with an asterisk before giving it to the Baseball Hall of Fame. Just like how the New England Patriots are truly America's Team, baseball is truly America's Favorite Pastime.

Baseball takes no responsibility of the messes they make and they love to make Black faces the monster. For instance, when someone like Curt Schilling or David Wells makes a comment, they are simply called "opinionated" or "outspoken." But if Barry Bonds or Gary Sheffield says something, they are labeled "controversial," "selfish" or some other fancy word for asshole.

Another American pastime is shitting on the accomplishments of Black folks. Barry ain't the first brotha to get thrown under the bus by the MLB. Hell, they was treating their now beloved Hank Aaron like a second-rate citizen for the last 3 decades. Am I the only one who found it both convenient and ironic that the MLB all of sudden embraced Hank Aaron, right when they saw that the "controverisal" Bonds was about to break the homerun record?

But, by far, America's Favorite pastime is altering history. Whether its lying about Christoper Columbus in elementary school books or banning photographers from taking pictures of Iraq War troop coffins when they come home, its the American thing to do. So now we have Marc Ecko about to brand perhaps the most important piece of baseball history, based off the opinions of himself and a few others who bothered to his website and vote.

Why didn't or isn't the MLB stepping in to say anything about this? Do you think they would allow someone to purchase a Babe Ruth jersey and write "ALCOHOLIC BIGOT!" and just give it to the Hall of Fame. Do think they would allow someone to purchase a Ty Cobb hat and scribble "RACIST" and give it to the Hall of Fame? Would they even let it get to that point? Why isn't there an asterisk on Mark McGuire's 70th Home Run bat?

Its bullshit man. Who does this dude Ecko think he is. The media loves to call Barry arrogant, but Ecko's behavior trumps that on all counts. That's why I'm throwing away every Marc Ecko piece of clothing I own. I stopped rocking Ecko years ago, but I still used those flip flops in the picture as houseshoes. Ironically, just today I was about to go to Plato's Closet and give them a bunch of clothes, some of which happen to be some Ecko designs. Fugg that, they are going in the trash now too.

F*CK MARC ECKO

"Ya album garbage, i bought ya shit man/I listened to it, now its in the trash can."--Young Jeezy

Yeah, I know Marc Ecko ain't a rapper who drops albums, but fugg it, he became a millionaire off of Hip Hop's back, so that quote is still applicable to him. He also made millions of the backs of Black folk, which is probably one of the reasons why I find his latest display of "democracy" so despicable.

Of course, the great thing about living in this country is that we can all express our opinions, sometimes. But sometimes people do too much. Its one thing to show up to Giants game rocking t-shirts with asterisk but its another to throw syringes on the field. Just like its one thing to boo Barry Bonds, but its another to buy a historic piece of memorabilia, only to "democracize" the ball and brand it with an asterisk before giving it to the Baseball Hall of Fame. Just like how the New England Patriots are truly America's Team, baseball is truly America's Favorite Pastime.

Baseball takes no responsibility of the messes they make and they love to make Black faces the monster. For instance, when someone like Curt Schilling or David Wells makes a comment, they are simply called "opinionated" or "outspoken." But if Barry Bonds or Gary Sheffield says something, they are labeled "controversial," "selfish" or some other fancy word for asshole.

Another American pastime is shitting on the accomplishments of Black folks. Barry ain't the first brotha to get thrown under the bus by the MLB. Hell, they was treating their now beloved Hank Aaron like a second-rate citizen for the last 3 decades. Am I the only one who found it both convenient and ironic that the MLB all of sudden embraced Hank Aaron, right when they saw that the "controverisal" Bonds was about to break the homerun record?

But, by far, America's Favorite pastime is altering history. Whether its lying about Christoper Columbus in elementary school books or banning photographers from taking pictures of Iraq War troop coffins when they come home, its the American thing to do. So now we have Marc Ecko about to brand perhaps the most important piece of baseball history, based off the opinions of himself and a few others who bothered to his website and vote.

Why didn't or isn't the MLB stepping in to say anything about this? Do you think they would allow someone to purchase a Babe Ruth jersey and write "ALCOHOLIC BIGOT!" and just give it to the Hall of Fame. Do think they would allow someone to purchase a Ty Cobb hat and scribble "RACIST" and give it to the Hall of Fame? Would they even let it get to that point? Why isn't there an asterisk on Mark McGuire's 70th Home Run bat?

Its bullshit man. Who does this dude Ecko think he is. The media loves to call Barry arrogant, but Ecko's behavior trumps that on all counts. That's why I'm throwing away every Marc Ecko piece of clothing I own. I stopped rocking Ecko years ago, but I still used those flip flops in the picture as houseshoes. Ironically, just today I was about to go to Plato's Closet and give them a bunch of clothes, some of which happen to be some Ecko designs. Fugg that, they are going in the trash now too.

In The 'Yo: DJ Toomp & Company

If Atlanta Hip Hop is a tree, DJ Toomp is the seed. The man has had a hand in every Atlanta artists' career from Success-N-Effect to Stat Quo, counting names like T.I., Ludacris and Young Jeezy in between.

I have interviewed him numerous times over the last few years and I have to say that he is one my favorite people to talk to. He keeps it honest, almost too honest sometimes. He has got to be one of the humblest cats that I talk to, plus, I know that everytime I interview him, I will hear something new. He's like a Hip Hop historian. Not just a Southern Hip Hop historian, but a HIP HOP historian, period. I have a feature on him in the second-to-last SCRATCH issue with T.I. and Wyclef on the cover. At the time of that interview he was riding the high of having produced Kanye's lead single "Can't Tell Me Nothing," telling me the story behind the beat and and his relationship with Kanye. He made mention that he did two other songs on the album named "Good Life" and "Been Through It All"...which was renamed to this. When he mentioned those songs, of course I knew they would come out dope, but GIAT DAYUM! I wasn't expecting what they wound up being.

Anyways, I was assigned to interview Toomp again for a internet video project I'm producing for this website [when it drops, I will let you know, It's kind of big deal]. Once again the interview was dope. After we were done he started playing around on the beat machine. He started by showing off and recreating beats other people beats to show just how easy this shit is to him. Then he started playing beats for songs that were about to come out. Right now, the only ones I can remember is one he said is gonna be on Slim Thug's new album, possibly the lead single...the shit is FIE! Then he played the single he did for Glasses Malone.












Later on producer Kenoe fell through.
.
If that name sounds familiar, he used to produce for No Limit here and there. He wasn't in Beats By The Pound, but if you check the credits of some of your No Limit CDs around the 1999 end of thier run, you'll see his name in the credits. He also did alot of work for Turk, B.G., Lil Flip's Underground Legend album and Soulja Slim's last three releases. He is a producer in Toomp's NZone unit now.

Everybody started getting hungry so me and the video crew went to Merkerson's to get the fie fie seafood.

By the time we came back, my homie Nick Love and his producer Arnaz The Nazty One came through for something they were working on.

Toomp and Nick


Arnaz


Grim, Nick and Arnaz


Then, Lil Jon came through and he was crunk as usual.

He walked in the door yelling and cracking jokes. I was scheduled to interview him too, but we weren't all the way sure that he was gonna show up, or on time for that matter. The interview was supposed to be at 8pm. He showed up at 9:15pm talking about "8:30! This was perfect timing for an interview, I'm drunk and ready to talk!"

His interview was dope as hell too. I've only interviewed Jon one other time and that was back when I was in school on the campus radio station, trying to get quotes backstage at the Homecoming concert. But, I've always known that Jon ain't a character 24/7 because I used to intern at the radio station he used to work at. Anyways, it was cool seeing the love in the room. That's pretty much what the internet video thing I'm producing is about. Jon was giving Toomp props on the Kanye singles and saying how its crazy that everybody in the country has to come to Southern producers for that heat, "even the Hip Hop shit." I hope the video guys caught all of this, I know I did.

Toomp and Jon


Jon, Toomp and Arnaz


Toomp Trying on Jon's custom made Oakleys


Toomp and Jon comparing Gold chains [kidding]


Jon and Kenoe


Toomp and Arnaz vibing...I think I might have pissed Toomp off for a sec at this point. I told him that I already heard one of the beats he was playing. Of course he asked from where, and I told him it had leaked to the internet last week and it had B.O.B. rapping on it. He seem bothered at first, but I think he cool now.







Peep the rust! AKAI is up to the MPC4000Plus, and Toomp still has the MPC60II. This thing probably has plenty of stories to tell...And yes, he still uses it. I didn't see a newer model anywhere in the building.